The Faraday A is named after the English natural scientist Michael Faraday who, among other things, discovered magnetic induction in 1831, the essential basis for the generation and use of electric current.
Four CRC-damped conductors are used in the Faraday A, which ensure low internal resistance and balanced electrical parameters in a symmetrical arrangement. This way, impulses and fine details reach the loudspeaker unhindered without overloading the amplifier. The cable is pleasantly thin and flexible, so that it can be laid in or behind furniture without any problems.
The Faraday A is characterised by a very natural, fluid reproduction. The CRC technology developed by Audioplan ensures smooth reproduction without harshness or graininess. Particularly noteworthy is the good focus of voices and the beautiful agility of the reproduction, which clearly traces dynamic and colour subtleties. Instrumental or dynamically complex passages are reproduced spatially clear and free of compression effects.
Faraday A II
Sonstiges
Faraday A II
| Capacitance: | ca. 650 pF/m |
| Inductance: | ca. 0.10 µH/m |
| Loop resistance: | < 10 mOhm/m |
| Connectors: | silver-plated hollow bananas, 6/8 mm spades or 2 mm pins |
If you have any questions, please feel free to contact us.
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Beschreibung
Faraday A II
The Faraday A is named after the English natural scientist Michael Faraday who, among other things, discovered magnetic induction in 1831, the essential basis for the generation and use of electric current.
Four CRC-damped conductors are used in the Faraday A, which ensure low internal resistance and balanced electrical parameters in a symmetrical arrangement. This way, impulses and fine details reach the loudspeaker unhindered without overloading the amplifier. The cable is pleasantly thin and flexible, so that it can be laid in or behind furniture without any problems.
The Faraday A is characterised by a very natural, fluid reproduction. The CRC technology developed by Audioplan ensures smooth reproduction without harshness or graininess. Particularly noteworthy is the good focus of voices and the beautiful agility of the reproduction, which clearly traces dynamic and colour subtleties. Instrumental or dynamically complex passages are reproduced spatially clear and free of compression effects.
